FILM
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THE HAPPY PRINCE Rupert Everett’s biographical drama explores the fi nal years of Oscar Wilde
Rupert Everett is sensational as he sinks his teeth into the role of a lifetime – that of Oscar Wilde – with the l amboyant actor inhabiting the literary icon at his ignominious end. Furthermore, Everett proves himself an accomplished writer-director; his debut captures all the sadness of a fallen star. The despicable way Wilde is treated by the public and criminal justice system elicits considerable compassion.
Yet the i lm also offers a courageously unl attering portrait of Wilde’s post-prison existence, showing how he’s further undone by his own weakness. And, although prone to grandiose pronouncements of strength, Wilde is
mired in self-pity, venting his anger on those who love him the most. Colin Firth and Emily Watson are well-cast but underused as Wilde’s pal Reggie Turner and estranged wife Constance.
If Edwin Thomas never really embodies the tragic yearning and inveterate disappointment of the devoted Robbie Ross, Colin Morgan makes for a suitably capricious, vain and infuriating Bosie, who sends the writer over the cliff-edge. But, make no mistake, it’s Everett’s show; as he lets us see the spark behind Wilde’s sorrow, he ensures you have little need to look any where else. (Emma Simmonds) ●●●●● ■ General release from Fri 15 Jun.
1 Jun–31 Aug 2018 THE LIST 81